❤❤❤ Tess Durberville Analysis

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Tess Durberville Analysis

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Sign in. From the creators of SparkNotes, something better. Literature Poetry Lit Terms Shakescleare. Download this LitChart! Teachers and parents! Struggling with distance learning? Our Teacher Edition on Tess of the d'Urbervilles can help. Themes All Themes. Symbols All Symbols. Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive.

Tess Durbeyfield The protagonist of the novel, an attractive young woman from the rural village of Marlott. Her family is poor, but she has been educated and seems to stand out from other girls. She has a… read analysis of Tess Durbeyfield. Alec d'Urberville The principle antagonist of the novel, the handsome, libertine son of the wealthy d'Urberville-Stokes. He is fickle and impetuous by nature, but his infatuation with Tess seems more lasting than his feelings for other girls… read analysis of Alec d'Urberville.

Angel Clare The intelligent, idealistic son of the parson James Clare. He rejects his father's and brothers' profession to instead study agriculture, and remains skeptical of religion. John Durbeyfield Tess 's father, a peddler with a bad heart condition and a love of alcohol. The novel begins with Durbeyfield learning that he is the last descendent of the ancient d'Urberville family. The news immediately… read analysis of John Durbeyfield.

Joan Durbeyfield Tess 's mother, a housewife with many children and responsibilities. She loves to sing and is very superstitious, often consulting her book the Compleat Fortune-Teller. She likes to make matches for Tess and first… read analysis of Joan Durbeyfield. She is heartbroken when Angel rejects her, but never grows bitter towards Tess. When Angel is leaving for Brazil he… read analysis of Izz Huett. Angel 's father, a parson with a very strict moral code and intense religious fervor.

He can be severe but is also extremely charitable, especially towards hopeless cases, and he manages to convert even Alec d'Urberville with his patience and fortitude. Another of the Talbothays women who loves Angel. Marian responds to his rejection by turning to alcohol. She later gets Tess her job at Flintcomb-Ash. The third of Tess 's Talbothays friends. Retty is also descended from an ancient, noble family, but they, like the d'Urbervilles, have lost all power and wealth. Retty reacts to Angel's rejection by attempting suicide and then leaving the farm. The younger children cry when Tess leaves, but Tess scolds them for thinking that she will marry a gentleman. As Tess leaves, Joan remarks that Tess will do well as long as she plays her trump card. This trump card is not her d'Urberville blood, as her father believes, but her face.

Joan Durbeyfield continues to promote the idea of Tess going to Trantridge Cross to marry in this chapter, in which she dresses her daughter for attracting men, and not for her labor tending Mrs. Likewise, Tess continues to resist the idea that she is a sexual object sent for a commercial transaction that will save her family's financial situation. However, Joan exhibits her first signs of guilt and self-awareness concerning her actions toward her daughter. This further foreshadows the impending danger that Tess faces in going to Trantridge Cross.

As Alec and Tess drive the carriage toward Trantridge, Tess becomes frightened by the quick movement of the horse as they go down the hill. She grasps Alec's arm, but he tells her to grasp his waist so that he can still control the horse. When the horse becomes calm, she reprimands him for driving so recklessly, but he tells her to put her arms around his waist again. She says never, but he persists. She says that she thought that he would be kind to her as her kinsman. He calls her rather sensitive for a cottage girl, and calls her an artful hussy.

The problems that Alec and Tess have on the carriage traveling toward Trantridge serve as a bridge between two of the most important events in the novel, simultaneously building on Tess's guilt concerning the death of the family horse and foreshadowing later events in which Tess finds herself in danger with Alec d'Urberville. In this chapter, Hardy intertwines the danger of their travel along with sexuality, as Alec demands that Tess grasp his waist as the carriage tumbles down the hill. Alec exploits moments of danger for his own sexual gain, presenting Tess with danger in order to use her as a sexual conquest. Alec himself symbolizes the confluence of these two qualities, a character who presents his sexuality along with a great capacity for violence.

Alec's reprimand of Tess as "rather sensitive for a cottage girl" serves to shatter the idea that Tess may marry a gentleman. As Alec notes, no matter her distant family connections, Tess is of such lowly birth that she may consent to be the mistress of a gentleman but not his wife. Tess begins to care for the birds in Mrs. Tess meets the old woman, who is blind, and asks Tess if she knows how to whistle. Although she knows that it is not a genteel trait, Tess admits to knowing how to whistle, and Mrs. The next day, Tess tries to whistle to the bullfinches, but becomes cross because she finds that she cannot do so. Alec finds her frustrated, and offers to give Tess a lesson. Repeated interaction with Alec d'Urberville removes Tess's original shyness toward him, without implanting any feeling which could engender a more tender shyness.

One day, when Tess is whistling to the bullfinches in Mrs. Alec has been hiding behind the curtains. Tess's first meeting with Mrs. This implies that Alec has brought her to the house under false pretenses; he has not brought her to claim kinship with him and his mother, but rather for his own personal reasons. Hardy further establishes Alec d'Urberville as a sexual predator in this chapter, a man who even stalks Tess as she whistles to the bullfinches. Nevertheless, Tess begins to become more accustomed to Alec, despite the sexual danger he presents to her. Alec ingratiates himself to Tess by aiding her in her work. This is the first evidence that Tess has let her guard down around a man whom she inherently suspects.

While Tess still does not care for the villainous Alec d'Urberville, she is becoming increasingly familiar with him and receptive to him. The village of Trantridge demonstrates a particular levity and its residents tend to drink hard. The chief pleasure of many residents is going to Chaseborough, a decaying market town several miles away. Tess did not join in the weekly pilgrimages, but under pressure from matrons not much older than herself, she finally consents to go.

During one trip there, she finds Alec d'Urberville also in town, and he promises to see her again. Tess goes on alone and finds a barn where the residents are dancing. Tess does not abhor dancing, but she did not want to do so, for the movement of the dancers grew more passionate. Tess finds Alec again, but she refuses his offers of assistance home. Tess goes to the other girls, one of whom is Car Darch , nicknamed Queen of Spades, and her sister, Nancy, nicknamed Queen of Diamonds.

Car carries a wicker-basket containing her mother's groceries on the top of her head, and a stream of treacle had dripped down below her waist. All of the other girls laugh at Car, including Tess. However, Car notices Tess and confronts her. Car begins to disrobe to fight Tess, but Tess refuses and says that if she knew that Car was of that sort, she would not have consented to come with such a whorage. Car merely insults and continuously berates Tess, making her feel indignant and ashamed. Alec finds Tess once again, and he tells Tess to come with him. As Alec rescues Tess, Car's mother laughs, realizing that Tess has gotten out of the frying pan and into the fire.

The journey to Chaseborough for dancing juxtaposes with the previous chapters by demonstrating that Tess, despite her failure to be accepted as a true d'Urberville, is in some considerable sense still different from the common people with whom she must associate. She is neither the same as the low-class Darch sisters nor the aristocratic d'Urbervilles. Tess at first refuses to go on the weekly pilgrimages for dancing, and even when she consents to go she refuses to dance when it turns more sexual. This returns to the theme of Tess as a sexual innocent; she rejects both the sexuality of Alec d'Urberville and that of the dancers.

Throughout this chapter, Hardy places Tess d'Urberville as an outsider among the working class laborers with whom she travels home. Her status is evident even to Car Darch, who immediately notices when Tess laughs and ignores the others. While Tess remains without guile when she is confronted by Car, she nevertheless appears as strikingly out of place among the others. Car provides a stark contrast to Tess: she is a vulgar, brassy woman who is combative and lewd, in comparison to the more demure Tess. If the previous chapters emphasized that Tess is not a member of the upper orders, this chapter disputes the idea that she is one of the lower class.

The rescue of Tess by Alec d'Urberville demonstrates the capability for noble behavior that he may demonstrate, yet even in this action there is the great possibility that he may act out of ignoble motives. As Car's mother realizes, Tess is now in greater danger with Alec than she would be around Car. Car's mother thus foreshadows the later tragic events that will come to fruition. Tess admits to Alec that she is much obliged to him. He asks her why she dislikes him kissing her, and she says it is because she does not love him, and is angry with him sometimes. Alec did not object to this confession, because he prefers her anger to frigidity.

He asks if he has offended her by love-making, and she says sometimes. She does not answer when he asks if she is offended every time he tries. Tess is weary, and nearly falls asleep on Alec's shoulder. Alec stops the horse and encloses her waist with his arm to support her, which immediately puts her on the defensive. When she pushes him away, he calls her devilish unkind, for he means no harm. He asks if she can show her belief in him by letting him clasp her with his arm. She finally submits and allows him to do so. Later on their journey, Tess finds that Alec has prolonged the ride home, and they are now in The Chase, the oldest wood in England.

Tess calls him treacherous, and asks him to let her down so she may walk home. He agrees to let her walk home only after he finds a nearby house and ascertains their distance from Trantridge. Alec gives her an overcoat and walks away. In the meantime, he goes to ascertain which quarter of The Chase he is actually in, for he had purposely ridden at random. He returns to Tess and finds her sleeping. The final conquest of Tess Durbeyfield comes to fruition in this chapter, in which Alec d'Urberville uses several factors particular to this situation to seduce his distant relative. The seduction does not come easily; in fact Hardy leaves the details of the conquest so vague that it allows the distinct possibility that Tess did not consent at all to Alec.

Nevertheless, assuming that Tess consented to Alec's demands, Hardy constructs several factors that precipitated the event. At this point in the novel Alec is at his most heroic to Tess, having saved her from Car Darch. Alec frames his arguments against Tess as evidence that she is frigid, untrusting and ungrateful; she must defend her refusal to give in to Alec rather than Alec having to defend his much less excusable behavior. Finally, and perhaps most critical in Tess letting down her guard is that she is intensely tired and Alec's final proposition of her is unexpected. He comes upon her when she is sleeping and, at last, she may not have had the strength to refuse him at this point. The Question and Answer section for Tess of the D'Urbervilles is a great resource to ask questions, find answers, and discuss the novel.

The arrival of the three brothers creates much excitement among the girls at the dance. They treat the affair like something out of Cinderella. They think a prince has come to whisk them away. Tess is sad when she is not asked to dance. Tess of the D'Urbervilles. Are you referring to the section in which Tess tells her mother about her pregnancy? If so, her mother, Joan, tells her that they must make the best of it Tess of the D'Urbervilles study guide contains a biography of Thomas Hardy, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

Tess of the D'Urbervilles essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Tess of the D'Urbervilles by Thomas Hardy. Remember me. Forgot your password? Buy Study Guide. The "post" or the past?

Molar Mass Lab Report Tess Durberville Analysis if he has offended her Tess Durberville Analysis love-making, and she Tess Durberville Analysis sometimes. The children Testimony Sonny Singh Summary around and Tess reminds Tess Durberville Analysis that this Tess Durberville Analysis their last night at home, and they sing a song The Tess Durberville Analysis muses on Tess Tess Durberville Analysis plight. However, Car notices Tess and confronts her. Jack Durbeyfield learns from the local parson that Tess Durberville Analysis actually descended from the Tess Durberville Analysis, noble Tess Durberville Analysis of the D'Urbervilles.

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